Fremont / Film School Radio interview with Director Babak Jalali

In Babak Jalali’s playfully eccentric FREMONT focuses on a beautiful and troubled 20-something Donya, an Afghan translator who used to work with the U.S. government and now has trouble sleeping. Each morning Donya (Anaita Wali Zada) leaves her tight-knit community of Afghan immigrants in Fremont, California. She crosses the Bay to work at a family-run fortune cookie factory in San Francisco. Donya drifts through her routine, struggling to connect with the culture and people of her new, unfamiliar surroundings while processing complicated feelings about her past as a translator for the U.S. government in Afghanistan. Unable to sleep, she finagles her way into a regular slot with a therapist (Gregg Turkington) who grasps for prospective role models. When an unexpected promotion at work thrusts Donya into the position to write her own story, she communicates her loneliness and longing through a concise medium: the fortunes inside each cookie. Donya’s koans travel, making a humble social impact and expanding her world far beyond Fremont and her turbulent past, including an encounter with a quiet auto mechanic (Jeremy Allen White) who could stand to see his own world expanded. Tenderly sculpted and lyrically shot in black-and-white, Babak Jalali’s FREMONT is a wry, deadpan vision of the universal longing for home. Babak joins us for a conversation on the moment he knew that casting an unknown actor, Anaita Wali Zada as Donya, his instinctual decision, in collaboration with cinematographer Laura Valladao would work, the calming effect of Gregg Turkington, and the joy he derived from his time spent in the Afghan community of Fremont, California. For more go to: musicboxfilms.com/film/fremont