Episodes

Friday Feb 16, 2018
Friday Feb 16, 2018
Written & directed by Michele Remsen (“Juke,” "Two in the Morning”), Toss It will make it’s world premiere during the Hollywood Reel Independent Film Festival at the LA Live Regal Cinemas on Sunday, February 25th. Opening on the last two bitter singles at a wedding -- smart-skeptical Emily and obsessive-compulsive-flirt Finn – (latter-day Rosalind Russel and Cary Grant types) who can witty-banter-for-days and seem a perfect match -- then everything gets tossed. Finn wonders why he’s so fucked up, and Emily wonders why she’s so drawn to him. A younger couple, sophisticated parents, a wise great-uncle, and a flaky friend impact both, driving them apart until they take a leap. Then a major curve-ball hits, the curtain gets pulled-back on dearly held traditions and reveals what made them who they are. Discovering the real-deal goes down in back-hallways, Finn and Emily kick against convention to find some kind of truth of their own. Toss It explores women as the real power players because women, by and large, run and nurture the fundamental unit of society: family. Director and screenwriter joins us to talk about love, relationships, fast-paced filmmaking and writing modern day cinematic dialog.
hollywoodreelindependentfilmfestival.com
micheleremsen.com/TossIt
Get tickets to see Toss It at: HRIFF tossitthemovie.com
Twitter: @TossItMovie
Follow Michele Remsen on twitter.com/micheleremsen?lang=en

Friday Feb 16, 2018
Friday Feb 16, 2018
Carter Pilcher founded Shorts International in 2000. Coming from a background in both investment banking and law, Carter has made Shorts International the world's leading short movie Entertainment Company, functioning as distributor, broadcaster and producer. Carter has extensive experience in short movie production and short movie entertainment. He is a voting member of the British Academy of Film and Television Arts and a member of the Short Film and Feature Animation Branch of The US Academy of Motion Pictures, Arts and Sciences (AMPAS) – the guys who pick the Oscars. Carter, originally from Terre Haute, Indiana, received a B.S. from the U.S. Air Force Academy, a J.D. from Georgetown University, is a member of the New York Bar and attended the London Business School Corporate Finance Evening Program. Carter Pilcher has been and continues to be the highlight of Oscar season here on Film School. His insight, commitment and love of films and filmmaking always makes for a lively and informative conversation on some of the best films you will see all year.
shorts.tv/theoscarshorts/
shorts.tv/theoscarshorts/theatrical-release

Friday Feb 02, 2018
Friday Feb 02, 2018
AMERICAN FOLK tells the story of two strangers grounded on the morning of September 11, 2001. Elliott (Joe Purdy) and Joni (Amber Rubarth) are unexpectedly thrust together amidst the chaos of that historic day. With little in common but both needing to get to NYC urgently, they accept help from Joni's family friend Scottie (Krisha Fairchild) who lends the duo a rusty old 1972 Chevy Van. The shock and stress of 9/11 quickly threatens to derail their cross country journey until the pair discover what they do have in common: a love for old folk songs. Armed with a pile of guitars left in the van from Scottie’s touring days, Elliott and Joni raise their voices together (and with those they meet on the road), re-discovering the healing nature of music and bearing witness to a nation of people who, even while mourning, manage to lift each other up in the wake of tragedy. With a refreshing gentleness and beauty, AMERICAN FOLK lovingly chronicles the spaces between the suffering and fear, where music has the power to connect. Musicians Joe Purdy and Amber Rubarth give nuanced and thoughtful performances, with voices that are uplifting and achingly gorgeous. Filmed over 3,500 miles in 14 states, AMERICAN FOLK serves as a love letter to the natural beauty of America, to the style of music that has shepherded us through historically tough times and to the kindness of all of the "folk" that make America what it is. Director David Heinz and Cinematographer Devin Whetstone talk about the challenges of filming in cramped quarters, capturing the spirit of a surprisingly united people coping with a disintegrating civic society.
https://www.americanfolkmovie.com/

Saturday Jan 20, 2018
Saturday Jan 20, 2018
Slamdance Film Festival narrative feature “Quest,” starring: Dash Mihok (“Ray Donovan,” “Silver Linings Playbook,” and "Romeo + Juliet”), and Lou Diamond Phillips (“La Bamba,” “Courage Under Fire,” and “Young Guns”) is included in the Slamdance 2018 Special Screening section. “Quest,” a beloved audience award winner that debuted at the Mill Valley Film Festival this fall, and has continued to win award after award throughout it’s festival journey. Quest’s will debut on Monday, January 22nd, 2018, at the Slamdance Film Festival. This powerful film addresses the brutality of child abuse in a way we haven’t seen before, winning praise from the foster child community, among others who see the plight of this epidemic firsthand. Quest is a story that speaks to the power of love, and it’s ability to reach us even through the darkness and pain that surround us. Based on a true story, the film follows an uncertain friendship between a 12-year-old graffiti addict “ Mills” (Greg Kasyan, in his debut role), who faces abuse from his stepfather (Lou Diamond Phillips), and a devoted teacher & coach named Tim Moellering (Dash Mihok), who believes there is no such thing as a bad kid – only a bad situation. Based on the stories of their lives in the Bay Area of California, the first draft of Quest was written together by first time director Santiago Rizzo, and his mentor & teacher Tim Moellering (whom has sadly since passed away from Pancreatic Cancer before he could see the film made). Director, producer and writer joins us for a conversation on his debut film.
For news and updates go to: quest.film
For more on Director Santiago Rizzo's story go to: quest.film/filmmaker

Saturday Jan 20, 2018
Saturday Jan 20, 2018
introducing us to the charismatic Gabriel Cordell. After hitting rock-bottom, this newly sober paraplegic attempts to save his gang-banger (and barely out of rehab) nephew's life by bringing him along on a record breaking 3,100-mile wheelchair trek across the United States. This intense trip will challenge Gabriel physically and emotionally as he becomes a vision of hope for countless strangers along his journey. Gabriel's support crew is an unlikely team, that become a family. All of them are from very different backgrounds and each dealing with their own issues – PTSD, homelessness, unemployment, family estrangement and sobriety struggles. What started out as a challenge to push an unmodified wheelchair from California to New York, morphs into a most transcendent journey that fills your heart for long after the movie ends and the screen grows dark. In an age divided, Roll With Me ignites our common humanity and urges us to find our inner hero or heroine. We can be heroes…every single day that we reach outside of ourselves. Director Lisa France joins us to talk about her own journey and the challenges involved with a cross-country trek with 9 people in a small SUV and no film making experience.
For news and updates go to: rollwithmethemovie.com

Friday Jan 19, 2018
Friday Jan 19, 2018
HUMAN AFFAIRS is a compassionate drama about a young, successful theatre couple in New York City who meet their surrogate mother for the first time, and embark on a startling and intimate weekend of surprises and emotional revelations. Featuring powerful performances from Kerry Condon (Better Call Saul, Three Billboards outside Ebbing, Missouri) and Dominic Fusuma (13 Hours, Focus) and a standout portrayal by young French actress Julie Sokolowski (star of Bruno Dumont's Hadewijch) as Genevieve, the film also features David Harbour (Stranger Things). Writer / director / actor Charlie Birns has crafted a nuanced debut feature drama about embarking on the precarious closeness of surrogacy while bravely searching for human connection. Featuring exquisite cinematography by Sean Price Williams, (Good Time and Heaven Knows What with the Safdie Brothers, Listen Up Philip and Queen of Earth with Alex Ross Perry), the film experiments with new modes of cinematic storytelling, employing raw performance, unexpected sound design, editing, narration and the use of still photography to dazzling effect. Director Charlie Burns joins us for a conversation on the challenges and rewards of directing his first feature film and the film’s debut at the 2018 Slamdance Film Festival.
http://human-affairs.com/
A clip from Human Affairs: vimeo.com/250217517

Friday Jan 05, 2018
Friday Jan 05, 2018
Ivan Williams is a partner and Scenario’s executive vice president of finance. After a successful career as a senior business leader at major energy companies (ARCO and BP), he has been active starting up a media technology company, and executive producing feature films, Broadway musicals, musical recordings, theatrical plays, and Web tv shows. A member of Film Independent and the Sundance Institute, Ivan holds a bachelor’s degree in chemical engineering from Oregon State University, and is a Dean’s M.B.A. Scholar at the UC Irvine Paul Merage School of Business, and a veteran Naval Reserve intelligence officer. An active contributor to his alma maters, Ivan serves as a member of the board of directors for Oregon State University’s Alumni Association, and is active with the University of California Irvine as chairman of the Dean’s Arts Council of the Claire Trevor School of the Arts, serving as a member of the Graduate Division’s Dean’s Leadership Council, as an entertainment industry advisory board member for the Cybersecurity Policy & Research Institute, and a founding board member of the L.A./Orange County Anteaters in the Arts organization. Ivan joins us for a conversation on the his latest projects and the exiting future of digital film and arts at the Claire Trevor School of the Arts at the University of California, Irvine.
scenario-la.com

Friday Jan 05, 2018
Friday Jan 05, 2018
Mysterious events surround two travelers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. THE STRANG ONES had its world premiere at the 2017 SXSW Film Festival where it was awarded the Special Jury Recognition for Breakthrough Performance for James Freedson-Jackson.
Director’s Statement - “There is a line late in the film where two teenage characters are engaged in an awkward conversation that consists more of silence than words. “It’s crazy to think,” the girl says, “that you like, never really know a person. You know?” The idea of “not knowing” is at the core of The Strange Ones. As filmmakers, we are most interested in stories that leave a strong impression but somehow stop short of surrendering a tidy explanation, and in characters that have secrets that may or may not ever be fully revealed. There is something more satisfying in this for us - as if the truth, by virtue of remaining unseen, can expand upon speculation and become something larger, more profound, and more fascinating than a straightforward answer. Perhaps we find also that this is a more accurate reflection of real life - so often we believe we understand something or someone in their entirety, only to find out that we have only really glimpsed the surface; and that beneath lies a world of complexity that we might never fully know. In that regard, The Strange Ones is a story that presents a rather simple surface, as well as a more complicated and mysterious hidden dimension.” - Lauren Wolkstein and Christopher Radcliff.
Official Website: www.thestrangeones.com
Facebook: www.facebook.com/TheStrangeOnesFilm
Twitter: www.twitter.com/thestrangeones

Friday Dec 29, 2017
Friday Dec 29, 2017
Grand Saline, Texas, a town east of Dallas, has a history of racism, a history the community doesn’t talk about. This shroud of secrecy ended when Charles Moore, an elderly white preacher, self-immolated to protest the town’s racism in 2014, shining a spotlight on the town’s dark past. MAN ON FIRE untangles the pieces of this protest and questions the racism in Grand Saline today. Overall, MAN ON FIRE encapsulates the racial climate in Grand Saline and chronicles Moore’s life and death, presenting Grand Saline and Moore as two pillars of the film’s narrative: one a disjointed man seeking truth and communal repentance and the other a community whose present is inextricably tied to their past. MAN ON FIRE was Joel Fendelman’s thesis film for the completion of his MFA program at the University of Texas in Austin. The film went into production late May of 2016 and was completed late May of 2017. The crew took seven trips to the Van Zandt County area to film and compile interviews as well as a weekend of filming in Austin and one in Dallas. The recreations were filmed over three days in Austin, Texas. Director Joel Fendelman joins us to talk about what led Reverend Charles Moore to commit such a radical act, his approach to telling this timely story and MAN ON FIRE’s upcoming debut at the 2018 Slamdance Film Festival.
Co-winner of the International Documentary Association (IDA) 2017 David L. Wolper Student Documentary Award
Man of Fire premieres at 2018 Slamdance Film Festival
For news and updates go to: manonfirefilm.com
facebook.com/joel.fendelman
twitter.com/ManOnFireFilm
Joel Fendelman’s site

Friday Dec 22, 2017
Friday Dec 22, 2017
Ela Thier is a critically acclaimed writer, director and actor. She is known for creating dramedies that bring laughter and tears to diverse audiences across racial and socio-economic lines, and unifies audiences across political spectra. Thier's critically acclaimed Tomorrow Ever After (2017) won numerous major festival awards. After a successful theatrical run Tomorrow Ever After is now available on numerous PPV and VOD platforms including iTunes and Amazon. Her award-winning feature, Foreign Letters, was distributed by Film Movement (2012) and shown at over 140 festivals world-wide. Thier directed over a dozen short films winning numerous Best Short awards. Her film, A Summer Rain, screened at hundreds of venues and became a YouTube sensation. Thier worked as a writer-for-hire on Puncture, starring Chris Evans. The film premiered at the Tribeca Film Festival and released by Millenium Films (2011). Thier is a recipient of the Jerome Foundation Film Production Grant (2015), was a nominee of the White House Project Emerging Artist Award (2010), and a recipient of the NYFA Fellowship Grant in Screenwriting (2008). Thier joins us to talk about the multi-platform release of Tomorrow Ever After, filmmaking and her own The Independent Film School workshops.
“My guiding principle has been to create the workshops that I would want to attend. I think back to my beginnings as a filmmaker and I design the workshops that I could have really used: ones that are packed with concrete information made easy to understand, and are super supportive and encouraging. My life would have been easier if I had gotten the encouragement that artists need.” - Ela Their on her Independent Film School workshops
For more on Ela Thier's filmmakers workshops go to: Theindependentfilmschool.com
Keep up with the latest on Ela Thier at: facebook.com/elathier
For news and updates go to: tomorroweveraftermovie.com
