KUCI: Film School

Independent Film News and Interviews

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Friday Aug 14, 2020

YUSUF HAWKINS: STORM OVER BROOKLYN, directed by Muta’Ali Muhammad (“Life’s Essentials with Ruby Dee”) and debuting on HBO Wednesday, August 12 (9:00-10:40 p.m. ET/PT), tells the story of Yusuf Hawkins, a black teenager who was murdered in 1989 by a group of young white men in Bensonhurst, Brooklyn. Yusuf Hawkins’ death and the official response to it sparked outrage in New York, unleashing a torrent of racial tension and spurring tireless civil rights activism that exposed deep racial prejudices and inequities which continue to plague the country today. Over 30 years later, New Yorkers, including Yusuf’s family and friends, reflect on the tragedy and the subsequent fight for justice that inspired and divided New York City. YUSUF HAWKINS: STORM OVER BROOKLYN utilizes archival footage and photos, witness statements, news footage, in addition to candid interviews with Yusuf’s mother, Diane; brothers, Freddy and Amir; cousins, Darlene and Felicia Brown; and friend Christopher Graham and the two friends with him during the attack, Luther Sylvester and Bensonhurst native Russell Gibbons. A harrowing account of an immutable part of the city’s history, and of a family coping with profound grief deepened by injustice, YUSUF HAWKINS: STORM OVER BROOKLYN details how the senseless murder that shook the foundation of the city shed light on deep racial divisions and inequity. Yusuf’s death and the demands of his family and community had political ramifications that contributed to the ousting of New York Mayor Ed Koch in favor of David Dinkins, the city’s first and only black Mayor. Director Muta’Ali Muhammad joins us to talk about how the murder of Yusuf Hawkins pulled back the curtain on the racism, both past a present can rear its head anywhere in America, even in a city thought to be a bastion of racial tolerance.
For news and screenings go to: hbo.com/yusuf-hawkins-storm-over-brooklyn

Wednesday Aug 12, 2020

Since 1935 the American Legion has sponsored a program for teenagers to learn about democracy and civil discourse through a week-long engagement in self-governance. The sensational winner of the Grand Jury Prize for documentary at this year's Sundance Film Festival, “Boys State” is a wildly entertaining and continually revealing immersion into a week-long annual program in which a thousand Texas high school seniors gather for an elaborate mock exercise: building their own state government. Filmmakers Jesse Moss and Amanda McBaine closely track the escalating tensions that arise within a particularly riveting gubernatorial race, training their cameras on unforgettable teenagers like Ben, a Reagan-loving arch-conservative who brims with confidence despite personal setbacks, and Steven, a progressive-minded child of Mexican immigrants who stands by his convictions amidst the sea of red. In the process, they have created a complex portrait of contemporary American masculinity, as well as a microcosm of our often dispiriting national political divisions that nevertheless manages to plant seeds of hope. Co-directors Amanda McBain and Jesse Moss joins us for a conversation on the testosterone fueled rough and tumble
For news, and updates go to : tv.apple.com/us/movie/boys-state

Wednesday Aug 12, 2020

The rePRO Film Festival begins its inaugural run this August 12-16. The virtual film festival is dedicated to exploring women's reproductive healthcare, awareness, advocacy and bodily integrity in America. The lineup of films includes documentaries and narratives dealing with women’s rights, endometriosis, illegal sterilization, access to abortion, and reproductive justice for women of color, among other topics. rePRO Film Festival, will host five days of features, short films and themed-conversations focused on a range of topics including healthcare access, fertility, pregnancy, sexual education, abortion, and issues related to the gender spectrum. In-festival moderated conversations will include call-to-action messaging on how people can get involved in a corresponding initiative or topic. The conversations, designed to spotlight the creators who dare to tell stories about women’s reproductive rights, and to showcase courageous advocators, will be available online for free globally. All feature films playing the rePRO Film Festival are directed by women, and all filmmakers, including shorts filmmakers, are being paid to screen their films. The pay-what-you-can film ticket proceeds for films at the festival will be converted to donations to be split evenly among five beneficiary non-profit organizations - SisterSong, Endometriosis Foundation of America, Center for Reproductive Rights, URGE and Trust Women. Tickets are on sale online at repromamafilm.org. Tickets are all pay-what-you-can ($5, $10 or $15) with a limited number of complimentary vouchers available upon request to ensure access for all. rePro Film Festival and festival sponsor mama.film founders Lela Meadow-Conner, Mallory Martin and Debby Samples join us to talk about the launch of their deep dive into the issues, challenges and stories that face 49% of the world’s population and the people who love them.
For news, screenings and updates go to: repromamafilm.org

Wednesday Aug 05, 2020

Award-wining filmmaker Ramona S. Diaz’s latest documentary, A THOUSAND CUTS, is a blistering indictment of a free press and democracy are under attack in the Philippines. In the face of journalist Maria Ressa and founder of the on-line news site Rappler is holding the line and fighting back against President Rodrigo Duterte’s escalating threats of assignation and death. Duterte smear tactics and threats against Ressa (discredit journalists/media, spread misinformation, attacks on social media) are similar to what other authoritarian leaders are now using against the press. Duterte’s war on truth and journalism has become a blueprint for other authoritarian regimes around the world. A THOUSAND CUTS spotlights Ressa's fight for justice in the country is ongoing as she was found guilty of cyber libel last month in a blatant attempt to silence one of the most outspoken critics of the Philippine President. The alarming result is not only an attack on Democracy in the Philippines, but also a warning shot to the rest of the world. Ressa's lawyer Amal Clooney (also featured in the film) recently penned this Op-Ed  last month underscoring the implications of this trial. Director, Producer, Writer and Co-editor Ramona S. Diaz (Motherland, Imelda) joins us to talk about the suffocating pressure being brought to bear on journalists, her admiration for those who remain committed to a free press and the hope she has for her beloved homeland.

For news and updates go to: athousandcuts.film
For screenings go to: athousandcuts.film/watch-screenings
Social Media
facebook.com/athousandcutsfilm
twitter.com/_athousandcuts
instagram.com/_athousandcuts
twitter.com/CineDiaz
instagram.com/cinediaz
@CineDiaz

Tuesday Aug 04, 2020

It is one of the most iconic images of our time: two African-American medal winners at the 1968 Olympics standing in silent protest with heads bowed and fists raised as “The Star Spangled Banner” is played.  Fifty years later, that singular event remains deeply inspiring, controversial and even misunderstood as one of the most overtly political statement in the annals of sport. The Stand: How One Gesture Shook the World is a revealing exploration into the circumstances that led runners Tommie Smith and John Carlos to that historic moment at the Mexico City Games, mining the great personal risks they took and the subsequent fallout they endured. Through intimate interviews with the participants and witnesses involved in that moment, along with compelling images and archive, the film explores the 1968 Olympics human rights stand in the context of a critically important and volatile time for the U.S. Civil Rights Movement. While The Stand: How One Gesture Shook the World documents this lasting moment in American history, The Stand also remains faithful to what was, for athletes and millions of Olympic fans around the world, a riveting 200-meter footrace between the fastest runners of the day, young people in their athletic prime striving to be the best on one October day in Mexico City. The Stand: How One Gesture Shook the World also features high jumper Ralph Boston, sprinter Mel Pender, crew member Paul Hoffman and Professor Harry Edwards. Filmmakers Tom Ratcliffe and Becky Paige join us to talk about the story behind a legendary act that echoes to this day.
For news and updates go to: junofilms.com/the-stand

Sunday Aug 02, 2020

The 2008 financial crisis seemed to hit the American landscape out of nowhere. But in reality, it was both the inevitable conclusion to 40 years of Wall Street misconduct, and a warning for the meltdown that threatens to engulf us now. In the gripping original five-part docu-series THE CON, filmmaker Patrick Lovell investigates what happened, beginning with personal stories — including the foreclosure of his own Utah home, and the suicide of a 91-year-old African American widow in Akron, Ohio — before zooming out to examine the corrupt systems that doomed the United States to government funded bailouts that would only perpetuate a predatory system. Lovell also looks back to when the government properly functioned for the people it represented by holding banks accountable during the Great Depression and rescuing the country from the S&L Crisis of the late 1980s. Through interviews with those inside the 2008 crisis — regulators, former officials, foreclosure victims, industry whistleblowers, and journalists — Lovell and writer-director Eric Vaughan connect the dots to what America used to be, and most crucially, where we’re going in 2020, as nearly 40 million Americans are claiming unemployment by summer 2020. Amongst the many heartbreaks and horrors of the COVID-19 pandemic, the cracks that it exposed in the fragile financial tapestry of the world’s biggest economy are more evidence that THE CON is still on. Producer Patrick Lovell joins us to talk about THE CON’s sweeping inquiry into the blatant criminality perpetrated by the country’s most powerful financial and real estate interests colluding to bilk millions of Americans out of trillions of dollars, robbing them of their most important assets, pensions and housing.
For news, screenings and updates go to: thecon.tv
The Con is being released through Abramorama.com
Social Media
facebook.com/TheConSeries
twitter.com/theconseries
instagram.com/theconseries
facebook.com/redpointdigital
twitter.com/redpointdigital
instagram.com/redpointdigital
#TheCon
#Wallstreet
#financialcrisis
#documentary

Friday Jul 31, 2020

THE CURRENT OCCUPANT drops us into a mysterious psychiatric ward, where a man named Henry Cameron, with  no memory comes to learn that he is the President of the United States and the subject of a diabolical political conspiracy. As the asylum's soul-crushing forces bear down on him, he fights to preserve his sanity and escape so that he can return to power. THE CURRENT OCCUPANT is part of the Blumhouse anthology, INTO THE DARK, currently airing on HULU with each episode tied to the relevant holiday. The film is loosely tied to 4th of July. The story is a timely, edge-of-your-seat-until-the-very-end thriller that is part SHUTTER ISLAND meets BLACK MIRROR. THE CURRENT OCCUPANT features a number of terrific performances anchored by Barry Watson as “President” Henry Cameron, as well as Sonita Henry, Marvin Jones III, and Lilli Birdsell. Director Julius Ramsay stops by to talk about his creative process and how his background as a film editor informs his eye for filmmaking as well as the cinematic influences that echo throughout this taut thriller.
For news and updates go to: hulu.com/movie/the-current-occupant

Thursday Jul 30, 2020

THE CUBAN tells the story of nineteen-year-old Mina Ayoub, (Ana Golja) a pre-med student who has given up her dream of becoming a singer. Orphaned as a baby in Afghanistan, Mina’s grandfather sent her to Canada at the age of eight to live with a lone aunt, Bano (Shohreh Agdashloo). Mina longs to return to a better time when, as a child, she and her grandfather would sing and play music together. Thanks to Bano, Mina has a part-time job in a long-term care home. It’s there that Mina meets the withdrawn and enigmatic resident Luis (Louis Gossett Jr.). Luis spends his time in a wheelchair in a quiet corner of the room, retreated inside his own mind. Mina brings a record player into his room. Luis reacts, reminisces, dances, reveals his incredible life as a famous musician in Cuba, and talks about the one great love who was left behind. THE CUBAN is a celebration and exploration of the power of music to connect and reset people’s outlook on life. Director, Producer and Co-screenwriter Sergio Navarretta joins us to talk about his warm-hearted tale of people in search of place and end up on a musical journey of love, friendship and the power of imagination. For news, screenings and updates go to: thecubanmovie.com

Thursday Jul 30, 2020

From the team that directed the jaw-dropping, award winning documentary on the life and mayoral campaign of former congressman Anthony Wiener (Weiner) comes THE FIGHT. Only days after the 2017 inauguration of Donald Trump, furious Americans gathered at airports across the country in protest of the Muslim ban. But it was the efforts of the American Civil Liberties Union, waging the fight in federal court, that turned the tide, staying the executive order on grounds of unconstitutionality. The ACLU has never granted access to its offices, even as its battles—on the fronts of abortion rights, immigration rights, LGBT rights and voting rights —have become more timely and momentous than ever. Rousing, inspiring and slyly humorous, their THE FIGHT follows four seismically important cases and a handful of magnetic attorneys. These lawyers may not know how to charge a cell phone or operate a stand-up desk but have persuaded Supreme Court Justices, beating back serious encroachments upon our freedoms. An antidote to endless news cycles filled with tweet tantrums, THE FIGHT inspires with the story of front-line warriors in the battle for the American soul. Co-director Eli Despres (Elyse Steinberg and Josh Kriegman) joins us to talk about this entertaining, fast-paced, and highly engaging peek behind the curtain of the self-effacing attorneys and their support team as they scramble to maintain and bolster many of the most substantive constitutional protections under constant assault.
For news and updates go to: fightthefilm.com
The Fight is available for viewing at: fightthefilm.com/watch-at-home
Social Media
facebook.com/FightTheMovie
facebook.com/EdgelineFilms
twitter.com/thefightmovie
instagram.com/thefightmovie
twitter.com/elysesteinberg
twitter.com/joshkriegman
twitter.com/eli_despres
twitter.com/EdgelineFilms
twitter.com/kerrywashington
#TheFightMovie

Wednesday Jul 29, 2020

Director Matias Mariani’s lyrical new film, SHINE YOUR EYES tells the story of Amadi (OC Ukeje), a musician from Lagos who travels to São Paulo to track down his missing older brother Ikenna (Chukwudi Iwuji) and bring him back home to Nigeria. Following the faint traces of Ikenna’s footsteps, he discovers that his brother was not the distinguished math professor he was supposed to be, but actually had contrived an intricate and nearly delusional series of schemes to accumulate wealth in Brazil. As the mysteries deepen, so too does Amadi’s attraction to this vibrant newfound culture—and to his brother’s Brazilian ex-lover, Emilia (Indira Nascimento). As he closes in on his sibling’s whereabouts, Amadi is faced with choosing between his faithfulness to his family and the possibility of a new life in São Paulo. Director, Producer and Co-screenwriter Matias Mariani joins us to talk about his brilliant, thoughtful mediation on family, culture, identity and self-discovery.
Shine Your Eyes premieres July 29 on Netflix.com

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